With a flagship project on the roof of The Dorchester, Molto Music is working closely with Yamaha to expand its ‘pop up’ live venues throughout the city. PLASA Media Inc.Direct from: Regulars Contents this month Jobs and Careers Web Directory Features Issue: 347 Vista by Chroma-Q Delivers Beautiful Results for Cliff Richard: The Great 80 Tour page 21 January 2022 Queenie played the ‘Queen Relived’ show with a mix of pre-made and live feed visuals driven by Hippotizer Boreal+ and Karst+ media servers. Anytime you see something this fantastic, you know that a lot of people had to pull together." Jesse Matthews and Fiend Productions were also a big help.
Doug Coppell and Jesse Matthews supplied and installed the lighting with help from Lewis O'Callaghan, Beth Kinchin, and Dan Pollock. Secondly, Ed Metcalf and the rest of the team at Cursor Collective really made the set come to life with their original and visually stunning projection work and content creation. "This begins with Simon Wallwork and the people at Illusive, who came up with such interesting concepts. "Of course, the credit for this design going smoothly should go to the great team involved," said Lovegrove. However, the addition of multiple outrigger arms allowed the design team to overcome this challenge. Due to the size of the set, there was a shortage of traditional rigging points for lights inside the tent.
The STRIKE 4s were well-suited for this, because they gave us a distinct warm white strobe even at a low output."Īlthough the brilliant stage design at Illusive provided festival-goers with a joyful escape from reality, it was the product of really hard work and a determined effort to overcome challenges. "This year, we wanted to use fewer fixtures and use them in ways that created a cohesive look. "One of the issues we had the previous year was that the lighting did not balance with the projection at all times," said Lovegrove. The multi-formatted warm white LED fixture was used in extended 12-channel mode, providing low power strobing for audience lighting.
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In addition to the Rogue R1 FX-B fixtures, the Illusive lighting rig, utilized another Chauvet Professional product, the STRIKE 4. Plus, their versatility made them the ideal choice to fill all the areas where projection was not occurring." As far as their brightness is concerned, they more than held their own against the 20K projector. "I used many more of their built-in cell and movement macros to add a more dynamic feel to the show. "This was the first time I had used the Chauvet R1 FX-Bs, and so as the weekend went on I continued to do more and more with them," continued Lovegrove. All the fixtures were positioned to look as if they were attached to the robot as moving flashing and strobing appendages." "So the Rogue's compact size and ability to create so many looks was very valuable.
"We didn't have a lot of space to position the lights between the large robot and the big top tent," he said. "We didn't decide on the final positioning of the lights until we were on the site so we could achieve this balance."Ĭontrolled with an Avolites Tiger Touch II with a mobile playback wing for extra faders, the six Rogue R1 FX-B fixtures on the Illusive rig gave Lovegrove an endless variety of looks to play off against the robot. "We went with a sympathetic lighting design that didn't detract from the robot's projection," said Lovegrove. The varying shafts of light from the Rogue R1 FX-B fixtures coordinated nicely with the lighting and video images emanating directly from the robot, which was created using a Barco HD20 projector, MacBook Pro, APC-40 for MIDI control, and running Resolume 5 that was distributed using Decimator Design MDHX and HD SDI. Lighting designers Toby Lovegrove and Doug Alan Coppell, along with their team, used the Rogue fixtures to shoot rapidly moving and rotating beams of brightly colored light from behind the techno-beast in every direction. Over each shoulder of the robot and along its sides was an asymmetrically arranged collection of Rogue R1 FX-B fixtures from Chauvet Professional. In the belly of the gyrating robot was a DJ booth. On its website, the Illusive Festival describes its mission as being "to create a magical world away from reality to immerse yourself within." The festival, which takes places in the rolling fields outside the Northamptonshire town of Corby, more than lived up to that goal in September with a mind-bending main stage design by Simon Wallwork that featured a towering 14m (26.2') high by 8m (26.2') wide robot that looked like it walked right out of a sci-fi movie. Chauvet Professional Rogues Work Magic with Robot at Illusive Festival
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